10 Discoveries of Culinary Heritage in Vilnius

In the course of centuries culinary traditions of all nations and social strata of the Grand Duchy of Lithuania co-existed and took root in the capital. In the long run cuisines of the Lithuanians, Poles, Belarussians and Russians who lived next door became closely intertwined. Within the framework of religious precepts the Jewish (3) and Tartar cuisines (4) have retained their singularity for a long time, though they lent much to and borrowed a lot from their neighbours. Even the Karaite community, which is much less noticeable in Vilnius than it is in Trakai, gave the residents of Vilnius the popular everyday snack kibin (5). Still before steeping in the monotony of soviet obshchepit (public catering) (9) Vilnius was permeated with the smell of koldūnai (dumplings) (1), potato babas (3), stewed sauerkraut with pieces of Lithuanian kindziukas (ham) (2), a pike stuffed in a Jewish way (3), with Tartar beliash (a round pie stuffed with meat) (3) being made crisp somewhere in Lukiškės. This swing of different smells that does not combine with one another is the most authentic feature of Vilnius culinary heritage. The establishment of the identity of Vilnius as an autonomous organism started with the communal acts of delighting the stomach: fraternities of craftsmen, forerunners of workshops that were rallied on the confessional basis in the middle of the 15th century prepared public feasts of mead (8) on festal days. In the course of centuries during these holidays refined dishes of the aristocratic cuisine (5), filling peasant dishes and simple food of the inns that was quick to prepare were willingly eaten. In the 19th century Vilnius contributed considerably to the formation of the citified cuisine in Eastern Europe; it was there that Jan Szyttler and Wincenta Zawadzka (6) wrote and published canonised culinary works. Today public catering of Vilnius – the show-case of culinary culture – has a half forgotten nobiliary and still surviving peasant nature, nostalgia for the standardised obshchepit (public catering) dictate, pseudo-pastoral and pseudo-medieval aesthetics naively fused with the artefacts of the modern image of well-being, is open to any foreign gastronomic introductions that are in demand (kebabs, picas, burgers), however, disliking any snobbish purity. In a word, it is mixed and democratic.
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